The Evolving Band in 19th Century Mourning Rings

Dedication: 2 June 1816 AET 59 / Catherine Mary Walpole

Mourning bands adapted styles with changing fashion, however, there is a uniformity to their prominence c.1680-1900 that is as steadfast as a wedding band.

By its very definition as a band, the ring lends itself to mainstream typefaces in design, the dedication surrounding the band (personalised with a name or standardised with a memento) distils the loved one by their very name to the artistic motif.

More unusual is when the band adapts additional elements, such as this piece, with the hairwork memento placed on top. Its positioning seems clumsy in application, but its nature is essential to amplify the personal nature of the piece.

Also of note is the use of the white enamel (virginity, purity), one could assume for a lady of this age denotes her unmarried status.

Courtesy: Barbara Robbins